AGNÈS GUILLAUME

AGNÈS GUILLAUME

ALONZO KING

ALONZO KING

APEX

APEX

BANKSY

BANKSY

CAMERON MOBERG

CAMERON MOBERG

CARPENTERS WORKSHOP GALLERY

CARPENTERS WORKSHOP GALLERY

CHAD HASEGAWA

CHAD HASEGAWA

CREATIVE GROWTH

CREATIVE GROWTH

DELPHINE DIALLO

DELPHINE DIALLO

ELISABETH DAYNES

ELISABETH DAYNES

ERIC MICHEL

ERIC MICHEL

FENX

FENX

HILLARY GOIDELL

HILLARY GOIDELL

JEAN-MICHEL OTHONIEL

JEAN-MICHEL OTHONIEL

JET MARTINEZ

JET MARTINEZ

JOHN SANBORN

JOHN SANBORN

KALANI WARE

KALANI WARE

KALIE GRANIER

KALIE GRANIER

KLARI REIS

KLARI REIS

LAST ONES COLLECTIVE

LAST ONES COLLECTIVE

LAUREN NAPOLITANO

LAUREN NAPOLITANO

MARJAN MOGHADDAM

MARJAN MOGHADDAM

MONA CARON

MONA CARON

MONICA CANILAO

MONICA CANILAO

MYRIAM BOULOS

MYRIAM BOULOS

PAZ DE LA CALZADA

PAZ DE LA CALZADA

RACHEL WOLFE-GOLDSMITH

RACHEL WOLFE-GOLDSMITH

RAWDANCE

RAWDANCE

REDHA MEDJELLEKH

REDHA MEDJELLEKH

REMY LAGRANGE

REMY LAGRANGE

SHAWN BULLEN

SHAWN BULLEN

SILVIA GRAV

SILVIA GRAV

SIRRON NORRIS

SIRRON NORRIS

TANIA MOURAUD

TANIA MOURAUD

VICTOR REYES

VICTOR REYES

WOLFGANG BOHUSCH

WOLFGANG BOHUSCH

YORIYAS

YORIYAS

ELISABETH DAYNES

EXHIBITION: FIND YOURSELF - ElisabethDaynes@836M

DATES: OCTOBER 3, 2019 - FEBRUARY 6, 2020

COLLECTIONS: GALLERY

CURRENTLY BASED: PARIS, FRANCE

INSTAGRAM: @ELISABETH_DAYNES

ARTIST WEBSITE: ELISABETHDAYNES.COM

Bio

Born in Beziers, France, in 1960, Elisabeth Daynès lives and works in Paris. In the early stages of her career in theatre, she was fascinated by the question of identity and metamorphosis. From the 1990s, this passion led her to painstakingly recreate the bodies of prehistoric hominids based on the most advanced scientific knowledge.

She thus became a world-renowned paleo-artist, notably with her reconstructions of fossil hominids for the Museum of Tautavel and her re-creation of the Australopithecus Lucy in 1999 for the Field Museum in Chicago. In 2010, she was awarded the John J. Lanzendorf PaleoArtPrize. In 2011, the Ile-de-France Museum of Prehistory devoted a solo exhibition to her work, while a number of her sculptures of hominids were inaugurated in South Korea.

Using her work on human origins, Elisabeth Daynès now invites the public to reflect on appearance and the human face, today and in the future. She wishes to show that in a time of social networking and non-stop exposure to ubiquitous images, everyone is free to invent endless narcissistic mirrors: boundaries blur between real and virtual and between artificial and natural. Her work demonstrates that we are not the apex of evolution in the future and the past, nor are we the only possible humanity. We were once diverse, and we again become diverse. Her art constantly plays with science since science feeds much of our imagination and takes us on a voyage through time. By wildly varying size, material, and treatment while playing with and recomposing the subject of the skull, she shows us all the faces that we might have had and that we will have one day if that is our choice as artists.

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